Tate Britain unveils GRACE, a major commission by Alvaro Barrington, in its neo-classical Duveen Galleries. This immersive exhibition weaves together sound, painting and sculpture to offer visitors an intimate exploration of Barrington’s personal history and experiences. The installation pays tribute to three pivotal women in his life: his grandmother Frederica, his close friend Samantha and his mother Emelda.
The exhibition begins under a suspended corrugated steel roof, reminiscent of a tropical rain shelter in Grenada. Visitors hear the sound of rain combined with a curated soundtrack to enhance the nostalgic atmosphere. Beneath the roof, rattan and plastic seats, adorned with woven elements and plastic quilts, create a sense of security and intimacy.
The centrepiece of the gallery is a towering four-metre-high aluminium sculpture of a dancing figure, inspired by and created with Samantha. This sculpture stands on a communal steel drum and is decorated with vibrant carnival accessories. Surrounding paintings and archway canvases depict traditional carnival scenes, immersing visitors in the vibrant atmosphere of Caribbean J’ouvert celebrations.
The final section of the installation features a stained glass window illuminating a corner kiosk designed to resemble an American prison cell. This sombre scene, surrounded by barbed wire and church pews, reflects on issues of mass incarceration and the enduring love and fear experienced by black mothers.
GRACE is a powerful exploration of black culture and identity, drawing on Barrington’s childhood in Grenada and New York. The exhibition highlights the resilience and grace of black women and celebrates their profound influence on his life and art.