Latest stories
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Keeping art honest: JJ Charlesworth on criticism, commerce, and the culture of conformity
Art critic and published author JJ Charlesworth has been a sharp observer and tastemaker of the London art scene for…
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Prada Mode and Frieze London: Elmgreen & Dragset’s immersive cinema installation in King’s Cross
As London’s art world gears up for Frieze London 2025, Prada Mode returns with its thirteenth edition, staging a multi-day…
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Juergen Teller: ‘you are invited’ opens the doors of Onassis Ready in Athens
The much-anticipated opening of Onassis Ready, the Onassis Foundation’s new multidisciplinary art space in Athens, begins with you are invited…
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Olafur Eliasson: Accountable to the future
“Art is not the object, but what the object does to the world,” Olafur Eliasson reflects. Using elemental forms—light and…
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Artist-to-Artist returns to Frieze London 2025 with Tiffany & Co.
This October, Frieze London 2025 brings back its acclaimed Artist-to-Artist programme — now in its third edition — with a…
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Paris welcomes the Gerhard Richter’s exhibition — a landmark retrospective of an iconic rainter
From October 17th, 2025 to March 2nd, 2026, the Fondation Louis Vuitton in Paris will present a landmark Gerhard Richter…
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Beatrice Galilee and the architecture of the world around
Beatrice Galilee, internationally recognised curator, writer, and founder of the global non-profit The World Around, has pioneered the dialogue around…
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Hublot x Daniel Arsham: a new fluid chapter in artistic watchmaking
Swiss luxury watchmaker Hublot and celebrated contemporary artist Daniel Arsham have once again joined forces to unveil the MP-17 Arsham…
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Balkan Erotic Epic: Marina Abramović’s performance explores desire, ritual and the power of the body
Balkan Erotic Epic, the latest Marina Abramović performance, takes over Manchester’s Aviva Studios from 9th to 19th October 2025, marking…
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Nan Goldin: This Will Not End Well
From October 11th, 2025, to February 15th, 2026, Pirelli HangarBicocca in Milan is hosting Nan Goldin: This Will Not End…
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I thought we had plans?
“My editorial “I thought we had plans?” is, at its core, an intimate study of solitude and self-possession. Drawing from a naturalistic style and…
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Peter Doig’s exhibition ‘House of Music’ opens at Serpentine Gallery
The new Peter Doig‘s exhibition, House of Music, has opened at the Serpentine South Gallery, transforming the space into a…
