Threads of memory permeate the space

The Galleria Borghese in Rome presents Louise Bourgeois: Unconscious Memories. It is the first exhibition dedicated to a contemporary artist and the first exhibition in Rome devoted to Louise Bourgeois. Curated by Cloé Perrone, Geraldine Leardi and Philip Larratt-Smith, the show highlights Bourgeois’ profound influence on sculpture and her connection to the Galleria Borghese.

Interacting with the museum’s architecture and collection, the exhibition features 20 sculptures that explore themes of metamorphosis, memory and emotional states.Bourgeois’ works are placed throughout the museum, including the Aviary and the Meridiana Garden, areas she admired during her first visit to Rome in 1967. The project juxtaposes her contemporary sculptures with the classical art of the Borghese collection, creating a dialogue between past and present. One of the highlights is The Last Ascent, an imposing metal cell in the museum’s entrance hall that reflects themes of mortality and ascent and resonates with the neoclassical motifs of the space.

The exhibition includes key pieces such as Jambes Enclacée, a marble sculpture that faces Canova’s masterpiece of Paolina Borghese Bonaparte as Venus. This work reverses traditional gender roles by casting the legs of Borghese’s long-time assistant, Jerry Gorovoy. Another notable piece is Topiary, displayed in the Apollo and Daphne Room, which blends botanical myths to evoke the transformation from childhood to womanhood.

This landmark exhibition not only celebrates Bourgeois’ artistic achievements but also reaffirms the Galleria Borghese’s commitment to bridging the gap between ancient and contemporary art.