Helmut Lang: Twin peaks
Helmut Lang stepped away from fashion in 2005. What followed was not a withdrawal, but a reorientation: a shift in mediums rather than vision. The…
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Anna Carnick & Johannes Schön: design as dialogue and care
This fall in Berlin, Bocci and Anna Carnick unveiled their joint presentation Crafting Community—an ambitious project rooted in activism through narrative design. Founded in 2005…
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András Szántó: No Such Thing as a Neutral Space
Internationally renowned cultural strategist and journalist András Szántó has built a distinguished career advising leading universities, museums, and corporations on cultural enrichment and strategy, with…
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Hideo Kojima: Beyond code
Since the release of the acclaimed Metal Gear in 1987, Hideo Kojima has been more than just a game designer. Dubbed the father of the…
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Gazing on digital atmospheres with Uzo Njoku
In Uzo Njoku’s world, colour is an anchor, a memory, a rhythm carried from lived on streets and global canvases. The Nigerian-American artist’s works, whether…
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Fernando Jorge on jewellery design: rhythm, contrast, and sensuality
Brazilian-born, London-based jeweller Fernando Jorge launched his eponymous label in 2010, quickly becoming renowned in the world of jewellery designfor his striking sculptural pieces—crafted in…
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Yoshiyuki Miyamae & Eugene Kangawa: A-POC ABLE ISSEY MIYAKE — light, shadow, and the space between
There are few spaces in fashion where ideas are allowed to breathe, to evolve over time and unfold at their own pace. That’s what makes A-POC,…
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Sam Bardaouil: curatorial practice between memory and future
Sam Bardaouil is a Lebanese-born curator, scholar, and writer who challenges established art histories, reinterpreting them with a critical perspective. Holding an MFA in Advanced…
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Keeping art honest: JJ Charlesworth on criticism, commerce, and the culture of conformity
Art critic and published author JJ Charlesworth has been a sharp observer and tastemaker of the London art scene for over twenty-five years. In this…
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Olafur Eliasson: Accountable to the future
“Art is not the object, but what the object does to the world,” Olafur Eliasson reflects. Using elemental forms—light and water, colour and movement—the Danish-Icelandic…
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