Sonny Hall & Jan Melka: The beginning
When we last spoke to Sonny Hall, he told us he was trying to draw more because “to draw takes patience and humility and an…
When we last spoke to Sonny Hall, he told us he was trying to draw more because “to draw takes patience and humility and an…
Without hesitation, one could say that Emma Grede has more hours in her day than the rest of us. She is a serial founder and…
Before ruin became a corrosive condition of the present, it was already being rehearsed in the fragmented languages of modern art. Visible in the densely…
Whitney Mallett is a vital voice in literary criticism at a moment of profound media upheaval. Founder and editor-in-chief of The Whitney Review, she is…
Listening to Obongjayar feels like a bolt from the blue. His voice: elastic in its register. His sound, a cosmic mix where afrobeat meets baile…
George Rouy is interested in the body as landscape. In his paintings, lines smudge and forms distend; figures—alone and in groups, seen and unseen—take on…
Volker Bertelmann, known as Hauschka, is not easy to categorise. The German composer and pianist has spent decades navigating the different worlds: prepared piano and…
In conversation with hube and Theaster Gates In 1967, as the Vietnam War raged, singer-songwriter Phil Ochs penned the line, “In such ugly times, the…
Iconoclast, provocateur, court jester of the contemporary art world—these are just a few of the ways people have described Maurizio Cattelan, the Italian artist whose…
Between Seoul and Paris, between discipline and instinct, fashion becomes a language that does not translate—it connects. In the hands of Jay Songzio, Creative Director…